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Radishes and Flowers

by Jesse Blake Rundle

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    Lacquer cut by Gus Elg at Sky Onion on his Scully/Westrex stereo lacquer mastering system.
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    Back cover photography by Ryan Allan Cheatham.
    "the orange itself", spinning in the center, by Ryan Hadden.
    Lyric insert with the poems of Wallace Stevens.
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    Includes unlimited streaming via the free Bandcamp app, plus high-quality downloads of Artifacts of Water EP (Deluxe Version), Next Town's Trees, Angels we have heard, It's Gold Outside, Henceforth, Radishes and Flowers, The Death of a Soldier (single), Radishes and Flowers (single), and 4 more. , and , .

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1.
ADAPTED FROM THE POEM "NOMAD EXQUISITE" BY WALLACE STEVENS As the immense dew of Florida Brings forth The big-finned palm And the green vine angering for life, As the immense dew of Florida Brings forth hymn and hymn From the beholder, Beholding all these green sides And gold sides of green sides, And blessed mornings, And lightning colors So, in me, come flinging Forms, flames, and the flakes of flames.
2.
ADAPTED FROM THE POEM "THE REVOLUTIONISTS STOP FOR ORANGEADE" BY WALLACE STEVENS Captain profundo, captain geloso, Ask us not to sing standing in the sun, There is no pith in music Except in something false. Bellissimo, pomposo, Sing a song of serpent-kin, Necks among the thousand leaves, Tongues around the fruit. Sing in clownish boots Strapped and buckled bright. Wear a helmet without reason, Tufted, tilted, twirled, and twisted. Start the singing in a voice Rougher than a grinding shale. Hang a feather by your eye, Nod and look a little sly. This must be the vent of pity, Deeper than a truer ditty Of the real that wrenches, Of the quick that’s wry.
3.
ADAPTED FROM THE POEM "LIFE IS MOTION" BY WALLACE STEVENS In Oklahoma, Bonnie and Josie, Dressed in calico, They danced around a stump. They cried, "Ohoyaho, Ohoo"... Celebrating the marriage Of the flesh Of the flesh and air.
4.
Susanna 03:43
In the green water, clear and warm, Susanna lay. She searched The touch of springs, And found Concealed imaginings. She sighed, For so much melody. Upon the bank, she stood In the cool Of spent emotions. She felt, among the leaves, The dew Of old devotions. She walked upon the grass, Still quavering. The winds were like her maids, On timid feet, Fetching her woven scarves, Yet wavering. A breath upon her hand Muted the night. She turned— A cymbal crashed, And roaring horns.
5.
ADAPTED FROM THE POEM "PETER QUINCE AT THE CLAVIER" BY WALLACE STEVENS Soon, with a noise like tambourines, Came her attendant Byzantines. They wondered why Susanna cried Against the elders by her side; And as they whispered, the refrain Was like a willow swept by rain. Anon, their lamps' uplifted flame Revealed Susanna and her shame. And then, the simpering Byzantines Fled, with a noise like tambourines. Beauty is momentary in the mind— The fitful tracing of a portal; But in the flesh it is immortal. The body dies; the body's beauty lives. So evenings die, in their green going, A wave, interminably flowing.
6.
Nuances 03:22
ADAPTED FROM THE POEM "NUANCES OF A THEME BY WILLIAMS" BY WALLACE STEVENS It’s a strange courage you give me, ancient star: Shine alone in the sunrise toward which you lend no part. Shine alone, shine nakedly, shine like bronze, that reflects not me, nor any inner part of my being, shine like fire, that mirrors nothing. Lend no part to humanity that suffuses you in its own light. Be not chimera of morning, Half-man, half-star.
7.
ADAPTED FROM THE POEM "EARTHY ANECDOTE" BY WALLACE STEVENS Every time the bucks went clattering Over Oklahoma A firecat bristled in the way. Wherever they went, They went clattering, Until they swerved, In a swift, circular line, To the right, Because of the firecat. Or until they swerved, In a swift, circular line, To the left, Because of the firecat. The bucks clattered. The firecat went leaping, To the right, to the left, And Bristled in the way. Later, the firecat closed his bright eyes And slept.
8.
ADAPTED FROM THE POEM "THE EMPEROR OF ICE-CREAM" BY WALLACE STEVENS Call the roller of big cigars, The muscular one, and bid him whip In kitchen cups concupiscent curds. Let the girls dawdle in such dress And let the boys bring flowers in old news. Let be be finale of seem. The only emperor is the emperor of ice-cream. Take from the dresser of deal, Lacking the three glass knobs, that sheet On which she embroidered fantails once And spread it so as to cover her face. And if her feet protrude, they show How cold she is, and dumb. Let the lamp affix its beam. The only emperor is the emperor of ice-cream.
9.
The Snow Man 03:44
ADAPTED FROM THE POEM "THE SNOW MAN" BY WALLACE STEVENS One must have a mind of winter To regard the frost and the boughs Of the pine-trees crusted with snow; And have been cold a long time To behold the junipers, And the spruces rough in the distance Of the January sun; and not to think Of any misery in the sound of the wind, In the sound of a few leaves, Which is the sound of the land Full of the same wind That is blowing in the same bare place For him, who listens in the snow, And, nothing himself, beholds Nothing that is not there and the nothing that is.
10.
ADAPTED FROM THE POEM "THE DEATH OF A SOLDIER" BY WALLACE STEVENS Life contracts and death is expected, As in a season of autumn. The soldier falls. He does not become a three-days personage, Imposing his separation, Calling for pomp. Death is absolute and without memorial, As in a season of autumn, When the wind stops, When the wind stops and, over the heavens, The clouds go, nevertheless, In their direction.
11.
Interlude 00:27
12.
ADAPTED FROM THE POEM "CY EST POURTRAICTE, MADAME STE URSULE ET LES UNZE MILLE VIERGES" BY WALLACE STEVENS Ursula, in a garden, found A bed of radishes. She knelt upon the ground And gathered round, The flowers blue, gold and green. She dressed in red and gold brocade And in the grass an offering made Of radishes and flowers. She said, “My dear, Upon your altars, I have placed The marguerite and coquelicot, And roses Frail as April snow, “Where none can see, I make an offering, Of radishes and flowers.” And then she wept For fear the Lord would not accept.
13.
ADAPTED FROM THE POEM "TO THE ROARING WIND" BY WALLACE STEVENS What syllable are you seeking, Vocalissimus, In the distances of sleep? Speak it.

about

Radishes and Flowers is a song cycle adapted from the poetry of Wallace Stevens' Harmonium. Written and arranged by Jesse Blake Rundle.
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I don't know why I made this except that I felt compelled. In the wake of my mother’s death when I was 27, everything felt unsteady and I needed some path forward. I was looking for words that would take me somewhere – words that mattered.

She was young when she died, and we were her caretakers in the last years. It was a special time and an intense time. At the end, everything crumbled. The stable center of our family life was gone. And the musical center too. She’d taught us all to play and sing as kids and the house was filled with music throughout our lives: Christmas singalongs, church choirs, and late night piano solos.

In the midst of that grief, I didn’t have much I wanted to say. Everything inside me felt jumbled and dark, and the faith tradition I knew felt empty and full of platitudes. I went searching.

A few years before in Santa Fe, there was a group of us that spent much of our time out of class listening to music, discussing poetry, talking and laughing. One friend was always plucking out Bach’s first fugue, Dylan Thomas was on the record player, another friend was scribbling in a notebook. It was a swell time. A friend from that group left town and, as a parting gift, she gave me a copy of Stevens' Harmonium. It was one of those rare gifts – she had picked out something I didn’t know I needed. I never saw her again after that.

Over the years, the poems seeped into the way I think, the way I see. I carried that book around with me to parks, coffeeshops, and airplanes. Reading “The Emperor of Ice-Cream” in those days was mostly confusing, and it wasn’t until writing the album that it hit home. With the dead woman’s feet sticking out under the sheet, “they show how cold she is and dumb” – it just made me weep. But poems like “The Death of a Soldier” captured a Kansas boys’ imagination with the clouds and wind. I still recall the windy day I first read it, with the cloudy skies overhead and that pure image, “when the wind stops,” sticking in my mind. It was a chilling, but real, feeling. It is hard to look death in the face.

So, around 2017, I started writing. The first song was a surprise — the book was open and I had a guitar — but after that, it quickly became a mission. I started shaping them into a song cycle and playing them around Boise. It was around then that I met Nate Agenbroad and started working in his studio. He became a partner in bringing the project to life.

I had no idea how many people would join in to help along the way. At many points I’ve almost given up, and would have without the encouragement of friends. But the muse speaks. So here it is.

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RADISHES AND FLOWERS

”with wider eyes and maybe a bit wider hearts.” - comeherefloyd
“It sure does feel like this is an exercise in lifting spirits” - mp3hugger
"capable of both whimsical creeps along the small details of our world and grand swells of emotion" - Various Small Flames

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Thank you to all the wonderful people that made this possible. I would have stopped so many times out of fear, despair, or endless wandering. You kept me going. My family, Lynn & Maria Rundle, Amy & Fred Fosha, Anna Rundle, my grandma Janice Higgins and all my aunts and uncles and cousins. And my friends, Nate Agenbroad, Kate Agenbroad, Chris Gutierrez, Chris Ross, David Burchfield, Julie Burchfield, Tyson Gough, Mike Harris, Jordon Harris, Deepak Ebeneezer, Summar Alsemeiry, Lori LaRayne, Ryan Hadden, Willie Dallas, Ryan Allan Cheatham, Blake Warr, Paul Mitchell, Bobby Akines, Sean McReynolds, and so many more.

credits

released April 10, 2020

Engineering: Nate Agenbroad @ Mixed Metaphor in Boise
Mastering: Gus Elg @ Sky Onion in Portland
Production: Jesse Blake Rundle
Musicians:
Nate Agenbroad - Percussion, Bass
Mike Harris - Clarinet
Jordon Harris - Trombone
Chris Ross - Percussion
Jesse Blake Rundle - Vocals, Guitars, Bass, Piano, Synths, Organs, Percussion

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Jesse Blake Rundle Boise, Idaho

I make folk music and score films in Boise, Idaho. I've released two albums, an EP and some singles. More music is always on the way.

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